Farewell Blog

It’s time for a change. New year, new me, and all that stuff.

When I set up this site, I included a blog because everyone knew that’s what you did. Writers write, and they need a place to post the stuff they write. And once upon a time, in the distant days of the Aughts, blogs were the place for such things.

Some people are still awesome at updating blogs. They write something every day, or every week, and people come from far and wide to read their musings. I am not one of those people.

Some writers write posts when the mood struck them. I tried being one of those people, but I felt guilty during the long stretches when I didn’t publish a thing.

But I kept it going, because blogs were just something you did if you were a writer.

And then, the other day, I woke up, raised my fists in the air, and informed the universe that it wasn’t the boss of me. If I didn’t want to keep a blog anymore, then I wasn’t going to keep a freaking blog anymore.

There’s a marketing school of thought that believes writers should be everywhere, connecting with readers and building their audience every waking moment. If that makes them happy, that’s awesome, but I don’t think it’s necessary. I get stressed enough writing books and hearing the whooshing sound of deadlines flying past. Social media shouldn’t add to that. I figure that rather than half-ass everything, it’s better to whole-ass the things that work.

I’m not going away, of course. If you want to find me, here are your many, many choices:

My newsletter, which goes out maybe twice a year, and only when there’s something to say (new releases, cover reveals, and sale alerts, for instance). This is probably the best way to hear about important book stuff that may get hidden in the social media onslaught.

Twitter, where I tweet fairly regularly (and post the most nonsense and cat pictures, if you like that sort of thing).

Facebook, which I use as little as possible, mainly for promo stuff and a few random things that amuse me. Excerpts and news also end up here. Considering the way Facebook is choking page views these days, it’s way too easy to miss my posts, but, it never hurts to click the like button, does it? (/end shameless plug for validation).

Wattpad, where BROKEN ELEMENTS is currently posted in its entirely and where I may someday post other stuff.

And I’ve also claimed my name on Tsu and Ello, just in case those sites ever take off.

I hope to see you in one of those places and, as always, thanks for reading!

The Virtual Cookie Exchange Blog Hop

It’s that time of year when people give each other lots of food with questionable nutritional value, and the cookie exchange is one of the best delivery systems for high calorie yumminess. Basically, you make a gazillion cookies, meet with other people who also made a gazillion cookies, swap your cookies, then consume enough to lapse into a food coma for a day and swear you’ll never eat again. Sadly, the internet has yet to develop a cookie delivery system, so Linda Poitevin came up with the closest thing: a cookie exchange blog hop. She kicked the whole thing off last week with her recipe for snowballs, and this week it’s my turn to make the internet a slightly more delicious place.

You’ve heard urban legends about the ghost hitchhiker and alligators in the sewer. Now, prepare for the… COOKIE URBAN LEGEND.

Seriously. No, it’s not actually scary, unless you have a chocolate chip phobia. However, a variation of this story has been around since I was in Girl Scouts. In that version, a woman called Mrs. Fields’ headquarters and asked for their cookie recipe. She was told it was two fifty and happily agreed to pay the sum. When her credit card bill arrived, she saw a charge for $250 and was so enraged at being billed a ridiculous amount for a company’s most valuable asset that she spread the recipe as far as she could in an attempt to get her money’s worth.

Last year, when I looked for a new holiday cookie recipe, imagine my surprise when I heard a similar story, though it was a different recipe and the cookies were supposed to be Neiman Marcus’s secret recipe.

So no matter what anyone tells you, this recipe is not from Neiman Marcus. Or Mrs. Fields. No, they are the Urban Legend Christmas Cookies, and they are damn good. I highly recommend you have someone ready to take them off your hands as soon as they cool, because the only scary thing about this recipe is how quickly they’ll disappear.

The Urban Legend Christmas Cookies

2 cups butter
4 cups flour
2 tsp. baking soda
2 cups granulated sugar
2 cups brown sugar (the “original” recipe doesn’t specify, but I use either light or a 50/50 blend of light & dark)
5 cups blended oatmeal (measure oatmeal, then blend to a fine powder in a, er, blender)
24 oz. semi-sweet chocolate chips
1 tsp. salt
1 8 oz. milk chocolate bar, grated (the recipe calls for Hershey’s, but feel free to swap it out for your chocolate bar of choice)
4 eggs
2 tsp. baking powder
3 cups chopped nuts (your choice, or skip if you are anti-nuts for any reason)
2 tsp. vanilla

Cream the butter and both sugars in a big old bowl, then add eggs and vanilla. Mix together with flour, oatmeal, salt, baking powder, and soda (if you’re dedicated, you can sift the dry ingredients together first, but it’s not necessary). Add chocolate chips, chocolate bar, and nuts. Try not to eat too many of the chocolate chips in the process. Roll into balls and place two inches apart on a cookie sheet. Hand bowl and spoon to someone who will appreciate it, or keep it for yourself. I won’t judge.

Bake for 10 minutes at 375 degrees. Makes 112 cookies, unless you like bigger cookies.

In case 112 cookies isn’t enough, be sure to check with these awesome writers, who’ll be posting their recipes next week:

Ellie Ashe, whose quirky debut mystery CHASING THE DOLLAR came out this year.


Colleen Vanderlinden, my co-nominee in the Indie Urban Fantasy category of the 2014 RT Awards and author of the HIDDEN series.

Update: October 2014

So, it’s probably time for an update, isn’t it?

A few of you might be wondering why LOST CAUSES (Elements #4) still doesn’t have a release date. Excellent question, and one I plan to answer… though not today.

I’d hoped to release it by December, then by February. Despite how optimistic I’d like to be, that seems unlikely right now.

I believe in deadlines. I believe that, even as an indie writer, it’s an excellent habit to get into, and I think readers should have some idea when the next book is coming out (particularly given the way I ended book 3, ahem). Unfortunately, this year all the good intentions in the world weren’t quite enough, and the book was delayed for a couple of reasons.

1. I’ve been open in the past about some of my health woes. Hell, it was the Year of Surgeries that led to me finally finishing a novel (nothing quite like a life-threatening experience to inspire you to finally chase your dreams). What I learned this year is how far-reaching health problems can be, and how they can linger and reform themselves in all sorts of insidious ways. After a few years of just getting by, I chose to make this a year of actual, long-term healing.

The good news is it’s working. The bad news is I lost several months of quality writing time in the process. I’m back in the saddle, so to speak (on the keyboard? in the chair?), but whereas normally I would rush as fast as I could to meet the deadline, this time I’m working at a more manageable speed. Part of that whole healing thing, ya know.

While I can’t offer a specific date, I can say this: barring any unforeseen delays, the book should be available no later than May.

2. The other reason for the delay is that LOST CAUSES isn’t the only project I’m working on. I’ve learned a lot about my writing process over the past few years and have discovered that I need to alternate between various worlds. Jumping right into book 4 after finishing TURNING TIDES really didn’t work for me. I needed to give the characters time to rest and give my subconscious time to figure out new ways to torment Aidan, Sera, and the gang. So, instead of rushing into LOST CAUSES before it was ready to go, I turned my attention to the still untitled adventure fantasy and made some significant revisions. I’m thrilled to say it’s finally where I think it should be, and while I don’t plan to publish it until the Elements series is done, it’s ready to go whenever the time and situation are right, which makes me stupidly happy.

I have awesome–and patient–readers. LOST CAUSES hasn’t been an easy book to write, and I’d rather take the time to get it right rather than just get it published. And hey, May isn’t *that* far away, right?

Lost Causes Excerpt #1

Lost Causes, Elements #4, is taking its own sweet time. I’ll have an update on its status within the week, but in the meantime, here’s a little taste. Sera and Aidan may be facing a brand new problem, but at least they’re facing it together.


Sera sat at the small table in the Airstream, the black case in front of her. I slid onto the bench across from her.

She raised her eyes, and we looked at each other for a long time. We’d always been able to have long conversations without speaking, but these days we both had so many unexpressed thoughts that even our silent conversations were filled with double meanings and uncertainty.

When the silence began to veer from loaded to downright awkward, she stood and crouched by the small freezer tucked under the counter. Holding a kitchen towel in one hand, she filled it with ice and twisted it closed.

“Here.” She handed it to me and returned to her seat. “I’d rather you not use magic to heal.”

“Is that your version of an apology?” I pressed it to my face. It wasn’t bruising yet, but it was tender enough that I knew it was only a matter of time.

“Did you hear me use either the words ‘I’m’ or ‘sorry’? Then no.”

I made a face in her general direction, then made a second face when the movement pulled painfully at my cheek.

“What else could I have done?” It wasn’t a rhetorical question. If she had any solutions I hadn’t considered, I wanted to hear them.

“Nothing! You do nothing, Aidan. Damn it. I’ve lost too many people already this year. I don’t care if I have to burn those council assholes myself. Anything is better than you sliding further into darkness.”

I shook my head. “I won’t let you do that. You’re not a killer, Sera. You’d never be the same.”

She held my eyes, her own so serious I barely recognized them. “But I’d be sane. Can you say the same?”

She was right, and at the same time she was so very wrong. “You know who you sound like?”

One side of her mouth quirked in the tiniest of smiles. “What can I say? Like father, like daughter.”

“Daughters,” I corrected. “And if we’re not careful, we’re all going to die in our efforts to protect each other.”

Sera’s jaw was set, her face as rigid as her mind. “You’re protecting no one. You got me off the island, proved I was innocent. You did your part. Now it’s my turn.”

This is sort of a post.

It hasn’t escaped my notice that I’ve failed to post several weeks in a row.

The thing is, I really haven’t had anything to say, and I haven’t had time to sit at the computer, forcing my brain to come up with a blog post just for the sake of posting regularly.

I’m writing one book and editing a second. I have a day job. I live in a fixer-upper house that always needs some fixing up. Time is precious. So, unless an idea shows up, demanding to be written, it’s going to languish at the bottom of my to-do list for quite a while.

I’ll still post here, and I’ll try to do it weekly, but probably not right now. Right now, I need to finish that first draft of LOST CAUSES.

Since I have nothing else to say, here’s a GIF of Mr. Rogers breakdancing, just because.




5 Things About Elements #4

It seems I’m in the mood to write lists these days, so why fight it? Here are 5 things you might want to know about the next book in the Elements series. (If you haven’t already read TURNING TIDES, there are some rather vague spoilers below.)

1. The title is… drum roll, please… LOST CAUSES.

2. I haven’t set an official release date, but we’re looking at an early 2015 release. Right now, I’d guess the first week or two of February. That’s a month or two later than I’d hoped, but I’m trying this thing where I don’t overload myself with publishing stuff. I did that for the previous books, and each time I was so overwhelmed that I had little time or energy to write while dealing with the business side of things. I’ve adjusted my priorities, so now it’s “1. Write. 2. (way, way down the list) Everything else.”

3. This is the first book without a separate mystery. I considered it for about three seconds, but there’s so much already going on with Aidan, Mac, and the elemental community that there plain wasn’t time for the gang to run around, trying to solve someone else’s mystery.  This time, they need to solve their own mysteries.

4. The “boy in the car” might come up again. In case you were wondering.

5. Missing Tahoe? Me too. They’ll get back there… eventually. They have a few things they need to do first.

Any other questions? Well, tough! The rest is secret, though I might have a few more teasers over the next several months. For now, though, I just need to keep writing. February really isn’t that far away…

5 Things I Did Right When Indie Publishing

Last week, I looked at 5 mistakes I made as an indie publisher. Luckily, I also managed to do a few things right. While part of the appeal of indie publishing is the ability to do things your own way, I’d argue these five things should be part of every author’s way.

1. I edited the hell out of my books. Even though it sometimes felt like BROKEN ELEMENTS was rushed to publication, many, many people helped whip it into shape. First, I edited my own draft before sending it to the developmental editor. After I incorporated many of her suggested changes, four beta readers had a go at it. Then, it went back to the developmental editor, and finally a copy editor. When the published book still had an embarrassing number of typos, the book went to three proofers, just to be thorough. When the rights came back to me and I published as Match Books, I sent it through another copy edit, because I knew the book still had errors.

There is no such thing as too many eyes looking at a manuscript, and it’s never too late to fix your mistakes. At a minimum, I recommend a developmental editor and a copy editor, but without a dedicated proofer or two you’ll likely still find errors. If you want to be taken seriously as a writer, you need to take your work seriously–and that means respecting it enough to not throw a typo-ridden mess up on Amazon just because you can.

2. I acted like a grown-up. This one is particularly surprising, as I generally fail at being an adult. But really, I just followed the same basic rules we all learned in kindergarten: be nice, tell the truth, don’t get into fights, accept that life isn’t always fair, and don’t eat the paste. Translated to publishing, that means I didn’t write fake reviews, either positive ones for myself or negative ones for other authors. When I got a bad review, I didn’t explain why the reader was wrong. I didn’t blame the gatekeepers of the Big 5 for my lack of instant success. I feel like this is obvious stuff any professional writer should know, but somehow there are still writers out there advocating for writers to engage with negative reviewers. Do not listen to those authors. They are wrong. Just do your work, do it honestly, and try not to worry too much about how others react. When in doubt about whether to care what others are saying about your work, channel the Dude (a rule that applies to so many things in life)…


…then let it go. And seriously, don’t eat the paste.

3. I learned as many publishing skills as I possibly could. I don’t know why I’m sticking this at #3, because this is probably the piece of advice I offer most often to people looking to publish independently. As I mentioned last week, publishing professional quality books takes a lot of money, and the more you can do yourself, the better off you’ll be. I didn’t want to pay someone to reformat the books every time there was a printing issue or a new typo was found, or when I wanted to add a new link to an eBook, so I taught myself InDesign and eBook conversion. When I wanted to redo my website, I did it myself. I’m no artist, but I can create basic promotional graphics.

Each time I don’t farm out work to an expert, I save money, sometimes hundreds of dollars, and I have more control over the final product. Maybe you have a patron who loves giving you money, and if so, could you please give them my number? For the rest of us, look for any way to cut costs without producing an inferior book. Do that, and you’ll have more to spend where you really need it.

4. I knew when to ask for outside help. Consider this the flip side of #3. Knowing some Photoshop doesn’t mean I should do my own covers, because they’ll just look like I was too cheap to hire someone. I know a lot of indie authors create their own covers to save money, but I’m telling you now, 99.9% of the time, it looks like they designed their own covers to save money. If work appears low-quality, it’s hard to convince people the words between the covers are worth their time.


Fair or not, if I see a cover of questionable artistic merit on an indie book, I question the author’s artistic judgment.

In addition to hiring graphic designers, I spend money on marketing, because I’m really quite terrible at promoting my own books. (“You might like them! I used letters AND punctuation!”) Until I get better at tooting my own horn, I’m going to pay someone to toot it for me. So to speak. Stop sniggering.

Be honest about your weaknesses, and don’t just gloss over them and hope no one will notice. Fix them.

5. I didn’t talk about the stuff I shouldn’t talk about. And if I’m going to keep my own rule, I won’t talk about it here much, either. Just know that, over the last two years, a LOT of things went wrong, or at least not as well as I would have liked. And every time, this was me:


Here’s an example from a year and a half ago, so I think the statute of limitations on my silence has expired. When BROKEN ELEMENTS was changing publishers, I attempted to get an agent. I knew it was a long-shot, as most published books only get picked up if they have a proven track record of sales, which it didn’t at the time. Still, my longterm goal is to be a hybrid author, and I wanted an agent to help guide my career in that direction. I sent out twenty queries, and I was rejected twenty times. It was what I expected, but it still kind of sucked—and I never talked about it publicly.

It’s okay to not be all rainbows & puppies all the time, but keep the real disappointments to yourself. No one likes a whiner, and perhaps more importantly, it does your career no favors. At the risk of sounding like a new age motivational speaker, success breeds success, so why on earth would you emphasize your failures over your achievements? The bad stuff can be discussed later, once the disappointment is in the past, but when you’re in the middle of it and have little to no objectivity, bitch to a good friend, not the internet. Never the internet.

The tl:dr version? View your writing career as just that—a career. Act like a professional. Don’t gossip publicly about your co-workers or engage them in petty fights. Learn skills that will help you go further in your career, and rely on others to help on occasion. If you’re already doing all that as an indie writer, then this one’s just for you:


5 Mistakes I Made When Indie Publishing

TURNING TIDES came out a month and a half ago, and I’m just now wrapping up the publishing and marketing work required for the release. These things take time, and a lot of it. I’ve also spent much of that time feeling grateful that I’m less of an idiot now than when I published my first book.

As much as my pride would prefer I keep these examples of glaring stupidity to myself, if admitting my mistakes can help just one author avoid the same foolishness, then at least they were good for something.

BROKEN ELEMENTS was published through a now-defunct small press, so it wasn’t exactly a self-published book. However, I was friends with the owners and ended up working closely with them every step of the way. My mistakes and theirs are intertwined, so I’ll take, er, credit for the worst of them. Plus, the company folded so quickly I was re-publishing the book on my own seven months later, so I got to go through all this twice. Let’s just say I learned a thing or two in the process.

Here then are five things not to do when publishing your own work.

1. I didn’t allow enough time between a finished draft and publication. I completed the final draft in April. It was published in July. This was, in no way, shape or form, enough time. Without even getting into how rushed some of the editing and proofing was (mainly because I still have PTSD from that time), several months needed to be built into the schedule to allow for things to go wrong. Because they will go wrong, in glorious and unexpected fashion. I think that’s the only certainty in publishing. I know how tempting it is to just launch the book into the world and start finding readers, but trust me—unless you’re this guy…


…build 1-3 months more than you think you’ll need into the schedule.

In addition to the publishing fuckups that WILL happen, you’ll need to give reviewers plenty of time. They’re not actually looking at their to-read pile with puppy dog eyes, wondering why your book isn’t there. Bloggers need between 4-6 weeks, and national magazines require several months.

What I do now: Content & copy edits (and ideally a final proofing) are completed three months before the publication date, giving my publicist plenty of time for advance marketing and giving me time to deal with those inevitable catastrophes.

2. I didn’t have a marketing plan. That’s not entirely true. I had a plan. It was “Publish book. After it’s published, contact every blog in the world and try to get them to review it. Be roundly ignored because they don’t know me from every other indie pubbed author in the world. Plus, didn’t you see #1? You gotta start this shit early, woman.” It was a rather flawed plan. When it failed, I fell back on the “throw everything at the wall and see what sticks” plan. It looked something like this:


It was also a waste of time and money. Marketing begins before a book is released, and while a certain amount of flexibility is required, you still gotta start with a plan. The plan may resemble a flowchart, full of all sorts of contingencies and what ifs, but it’s a necessary place to start.

What I do now: I work with my fabulous publicist Beverly Bambury, who is so much better at this stuff than I am. To keep track of it all, I have an entire whiteboard filled with my marketing schedule on the run-up to release day. And, most importantly, I start marketing as soon as I have something that resembles a book on my computer.

3. I didn’t have a budget. I wrote out some vague and overly optimistic outline for what everything would cost, then promptly threw it out the window at the first unexpected expense. If you’re an independent publisher determined to produce a professional-quality product, it’s going to cost a pretty penny: NetGalley, ads, giveaways, etc.—and that’s just the beginning. What happens when you find typos (and you WILL find typos)? Will you pay to reformat and resubmit the book for printing? What about promotional graphics, if you don’t have the Photoshop gene? Will you pay someone to organize your blog tour? How about attending your first convention? You’ll have registration costs, airfare, hotel, and swag. Probably a new wardrobe, too, because when you go out in public they’ll expect you to wear pants. It’s so easy to keep adding one more expense, and then one more, until you realize you just sold lots of copies of your first book and are still in the red.

And you feel like you spent the first year of your fabulous career doing this:


Being an independent writer is like starting any other business. You probably won’t turn a profit right away. Be prepared for this and carefully assess every new cost to determine its value. Writing is a dream, but it’s a career, too, and it’s easier to pursue a career if you’re not bankrupt.

What I do now: Spreadsheets, baby. It’s all about the spreadsheets. I also have a credit card I use just for business stuff, so it’s really easy to see the expenses adding up. And since business expenses multiply faster than a bunny-shaped tribble, I check it regularly and make sure I’m not writing my way into the poorhouse.

4. I thought people wanted to read my book. Oh, I wish I could go back to 2012 Mia, that innocent, wide-eyed author, and pat her on the head—in a really condescending way. I genuinely thought there were urban fantasy readers out there who would pick up my book just because it was urban fantasy. Then I thought people would pick it up because it had a decent review from RT Book Reviews, or because some people on Goodreads seemed to like it. Nope. For the first six months, this was me:


The fact is, people have no interest in your book until you give them a reason to be interested. Maybe it’s an awesome tagline, fabulous back cover copy, or effusive friends praising it, but it’s always something. No one is going to pay you money just because you want them to. It’s so obvious, perhaps I should add a light smack when I meet 2012 Mia.

What I do now: Other than cheer and shout whenever a new reader discovers the Elements books? I still market, of course, and always try new strategies for reaching readers. I also learned to manage my expectations, because this is a long game, and the instantly successful writer is so rare she might as well stick a horn on her forehead and learn to whinny. More than anything else, though, I write, because that is the best way to introduce new readers to my work. I still have bad days, but there are a lot more good ones now, and that only improves with each published book.

5. I charged too much. I made a deliberate choice not to undersell my book. I genuinely believed it could hold its own among traditionally published urban fantasy. I’d spent six months writing and editing it. It was just under 100k words, was professionally edited, and had a gorgeous cover. I didn’t want to slap a 99 cent price on it and call it good, and I didn’t want to be part of the current trend of devaluing books and writers—and the work of the many other professionals involved in the publishing process. So, I tried to charge $6.99, the going rate for most urban fantasy eBooks. A few sold, but not many, so I dropped the price to $5.99. A few more sold, but again, not many. Once SHIFTING SELVES came out, I gave up and lowered BROKEN ELEMENTS to $2.99—and then the series started to gain some momentum.

What I do now: It all goes back to #4. You have to give the reader a reason to be interested, and if all you have to start with is a low price, then that’s where you need to start. My morals were all well and good, but the books sold much better once I started ignoring them. So, I guess for now I ignore my principles. Yay?

The tl:dr version? Give yourself more time than you think you’ll need. Have a plan with so many backups and contingencies even a Bond villain would be impressed. Research the hell out of the market, and be ready for surprises. You’ll still make mistakes, cause that’s what happens, but hopefully they’ll be a whole different set of mistakes than I made.

And if all goes well, you’ll be less this:


and more this:


Next week: I didn’t do it all wrong, thankfully, so check back next Monday, when I’ll talk about five things I managed to do right.



I’m working on a few longer posts on the good and bad of indie publishing, so those will show up next week.

In the meantime, I finally got around to creating a FAQ, mainly because a lot of people seemed to be under the impression that TURNING TIDES is the last book in the series. People, I may enjoy torturing my characters, but even I am not that cruel. Which is why I’m hard at work on book 4 and writing more half-assed blog posts than I really should.

If you have any questions I didn’t answer in the FAQ, just let me know.